Chapter 6 How do Adolescents Develop?
Physical Development
Puberty-everyone
develops over a different timeline…am I normal?
Time of change and it’s not easy!
Find books where characters physically change over time so students can
relate.
Intellectual
Development
Abstract: can’t
get in middle school, only concrete at that time. Transition from concrete to abstract. (Pieage’s Theory) Happens around age 14. Think about questions to ask kids about
books. Books concrete vs abstract?
Where are the kids?
Developmental
stages for young adults (Havighurst)
Learning
to get along with peers
Easy
relationship with the opposite sex
Working
for pay
Changing
relationships with parents
Finding
a vocation
Developing morals and
values
Adapting to physical bodies
Defining appropriate sex
roles
Morals and Values Development
Kohlberg’s
Theory-kids operate preconventional morality (reward vs punishment)
Adults do this
too
Conventional morality-
we follow the rules
Post-conventional
morality- supersedes the law (the laws are wrong)
Look for books
for where kids are and moving them forward in their morals and values.
Maslow: Needs hierarchy- in this order:
physiological, (food, rest) safety (no bullying), love/belonging (as an
educator how to meet need?), esteem (respected and praised), self-actualization
(anything you want to be).
Find books that meet these needs at the appropriate
time
Reading Development
unconscious delight (read and get lost in a book-cereal reading)
Reading autobiography
(read about people like us-a mirror)
Reading for vicarious
experience (window)
Physiological speculation
Aesthetic experience
(bring your life and experience-captured)
This chapter will help me understand how children and adolescents see things. This can help me better assist them in finding what books they may be looking for or suggest something they may like but not know it. Children and young adults think differently and see the world differently than adults. The information in this chapter gives me a window into their minds.
Chapter 7
Literary Elements and Devices
Literary elements:
Antagonist:
character that stands in opposition of the protagonist
Protagonist:
central character or leading figure in a story
Character:
people or things in a story.
Conflict:
expressing a resistance the protagonist finds in achieving his aim or dream
Mood: a definitive stance the
author adopts in shaping a specific emotional perspective towards the subject
of the literary work.
Tone: the perspective or attitude
that the author adopts with regards to a specific character, place, or
development
Plot:
sequence of events that make up the story
Setting:
time, place, and mood of the events of the story
Themes:
links everything together in a story..the main subject
Literary devices:
Allegory:
hidden meaning using metaphoric examples
Allusion:
refers to a subject matter by way of a passing reference
Archetype:
reference to a concept, person or object that is a prototype but used a lot
Deus ex machine: an implausible
concept or character is brought into the story to make the conflict resolve.
Hyperbole:
uses specific words and phrases that exaggerates the statement for effect
Imagery:
words and phrases to create mental images
Metaphor: a
meaning or identity ascribed to one subject by way of another.
Motif:
constantly present through the entire body of literature-repetition of a theme
Point of view:
who is telling the story
Simile:
draws parallels or comparisons using like or as
Symbolism:
using an object or action that means something more than its literal meaning
Theme
What it is not:
main idea, topic, summary, old saying a single word
What it is:
-message
stated or suggested by author
-must
be stated in a complete sentence
-must
be a truism (not just true in the story)
-not
necessarily singular -more than one in a story
-go
in and point to something in text (evidence)
This chapter gives me information that teachers may be looking for in books. They may need books with specific literary devices or literary elements. Being familiar with what they are will help me to find or suggest books they can use in their classroom. Students may also need books with specific literary devices or elements. They may need a book to write a book report on and have to focus on a specific device or element.
Chapter 8
Awards
Printz award: exemplifies
literary excellence in young adult literature
YALSA’s Award for Excellence in
Nonfiction: honors the best nonfiction book for young adults during a Nov.
1 – Oct 31 publishing year
Great Graphic Novels for Teens: a
list of recommended graphic novels and illustrated nonfiction for ages 12 – 18,
prepared yearly by YSLSA.
Best Fiction for Young Adults: YALSA’s
Best Fiction for Young Adults Blogging Team presents fiction titles for young
adults in the past 14 months that are recommended reading for ages 12-18.
Margaret A. Edwards Award: honors
an author, as well as a specific body of his or her word, for significant and
lasting contribution to young adult literature. Given annually and recognizes authors who help
adolescents become aware of themselves and addressing questions about their
role and importance in relationships, society and in the world.
ALEX awards: given to 10 books
written for adults that have special appeal to young adults, ages 12-18. Given annually.
Odyssey Award: Annual award given
to the producer of the best audiobook produced for children and/or young
adults, available in English in the United States.
Morris Award: honors a book
published by a first-time author writing for teens. Given annually
Outstanding Books for the College
Bound: This is a list of books that offer opportunities to discover new ideas
and introduce a variety of subjects within an academic discipline. This list is for several audiences: students preparing
for college, educators, librarians, and parents. It is revised every 5 years.
Popular Paperbacks for Young Adults:
A list created by the Popular Paperbacks committee to encourage young adults to
read for pleasure. Includes popular or
topical titles that are widely available in paperback.
Quick Picks for Reluctant Young Adult
Readers: a list that identifies titles aimed at encouraging reading among
teens who dislike reading for whatever reason.
It includes both fiction and nonfiction.
YALSA’s Readers’ Choice Booklist: seeks to engage a wide audience of librarians,
educators, teens, and young adult’s literature enthusiast in choosing the most
popular teen titles in a given year, as organized by broad genres. Nominations
are posted monthly, and a final vote takes place each November.
YALSA’s Teens’ Top Ten: is a teen
choice list where teens nominate and choose their favorite books of the
previous year. Nominators are members of
teen book groups in fifteen school and public libraries around the
country. The Nominees are posted on Thursday
of National Library Week and teens across the country vote on their favorite.
Lone Star Reading List: developed
by public and school librarians from the Young Adult Round Table. The purpose of the list is to encourage
students in grades 6,7, or 8 to explore a variety of current books.
TAUSHAS reading list: is to
motivate young adults to become lifelong readers and to participate in the
community of reader in Texas. Students
in grades 9-12 are encouraged to read books for pleasure from the list. It includes fiction and nonfiction.
Maverick Graphic Novels Reading List
is a recommended reading list developed by public and school librarians from
the Young adult Round Table. The purpose of the list is to encourage student in
grades 9-12 to explore a variety of current books for recreational reading.
Edgar Award for Mystery: Awards given
in different categories for the best mystery published in the previous
year. The Best Young Adult Mystery award
are books in hardbound and paperback and for grades 8-12: ages 13-18.
NCTE Aware for Excellence in Poetry for Children: it honors
a living American poet for their work for children ages 3-13. Each year the committee also produces a
Notable Poetry Books and Verse Novels list.
Orbis Pictus: it honors
outstanding nonfiction writing for children.
It is awarded annually.
Batchelder Award: Awarded to a United States publisher for a
children’s book considered to be outstanding originating in a country other
than the United States and in a language other than English but translated into
English for publication.
Scott O’Dell Award for Historical Fiction- An annual
award for a commendable book published in the previous year for children or
young adults. It encourages writers to
focus on historical fiction.
Pura Belpre Award: named for
the first Latina librarian at the NYC Public Library. It is presented annually
to a Latino/Latina writer and illustrator whose work best portrays and
celebrates the Latino cultural experience in an outstanding work of literature.
Schneider Family Book Award: honors an
author or illustrator for a book that embodies an artistic expression of the
disability experience for child and young adult audiences.
Sibert Award: is
awarded annually to the author and illustrator of the most distinguished informational
book published in the US in English during the previous year.
Stonewall Award: presented
to English language books that have exceptional merit relating to the gay/lesbian/bisexual/transgender
experience.
Mike Morgan & Larry Romans Children’s & Young Adult Literature Award: Part of the Stonewall Award, presented to English language books that have exceptional merit relating to the gay/lesbian/bisexual/transgender experience.
These books are considered the best. This is always a good list to use when ordering books for my library. Being familiar with the winners and what the criteria are can help me when recommending books to students. What they are interested in or situations they may be going through may be something that is part of the criteria for the award.
Chapter 9
Poetry
-NOT a
genre, it is a form that literature can take
-poetry can be found in most genres
Criteria for evaluating Poetry for Children
1.
Is the subject of the poem something with
which children would be familiar?
2.
Does the poem use imagery? (sights, sounds,
taste, smells, texture)
3.
Does the poem rhyme? Younger readers need the
scaffold of rhyme initially.
4.
How is rhyme used? Does the rhythm fit the subject
of the poem? Is it natural or forced?
5.
What role does sound play? Alliteration,
consonance, assonance, onomatopoeia are examples of how sound can play a role in
poems.
Values of Poetry for children- children can
share emotions, experiences, and visions with poets
Six reasons to share poetry with children (by
Jean Le Pere)
1.
Enjoyment
2.
Provides knowledge of concepts
3.
Increases vocabulary
4.
Helps children identify with people and
situations
5.
Helps children understand their feelings
6.
Grants insights to their feelings and
universal emotions
Characteristics of poetry that Children prefer
(Margaret Natarella)
1st – 3rd grade:
narrative poems and limericks, poems about strange and fantastic events, traditional
poems, poems that rhyme, use alliteration or onomatopoeia
4th – 6th grade: excitement
for poetry declines, contemporary poems are better, poems with familiar and enjoyable
experiences, poems that tell a story with humor, include rhythm and rhyme, no
heavy imagery or implied emotion
7th – 9th
grade: rhyme, humorous narrative, familiar experiences
Criteria for selecting poetry
for children:
1.
Lively poems with rhythm and meters
2.
Emphasize sounds and play on words
3.
Visual images and words that allow children’s imagination
to expand
4.
Poems shouldn’t be brought down to a child’s
supposed level
5.
Simple stories and introducing stirring scenes
of action
6.
Allow children to interact with eh poem
7.
Subjects should touch the child
8.
Good enough for repeated reading
Forms of Poetry
Lyrics-brief
poems that emphasize sounds and pictures
Narrative-
poems that tell stories
Ballads-
narrative fold songs that tell history or legends
Limericks-
short, witty poems
Concrete-
poetry that uses words to shape up a picture
Haiku- three line poems with five syllables in
the first and last line and seven in the middle line
Poems and poets
Nonsense and humor: Nonsense are successors to
Mother Goose rhymes for introducing children to poetry, spontaneous fun, have
strange or no meaning. Humorous poems
are similar, but are more realistic
Ex: Shel Silverstein-Where the Sidewalk Ends
(collectionz0
Nature poems: poets try to give people a
respect and reverence for nature by showing beauty in poetry.
Ex: Robert Frost- Stopping by the Woods on a
Snowy Evening
Characters, situations, and locations: poems
for children should include experiences and situations they are familiar
with..everyday happenings.
Ex. Valerie Worth- Barefoot
Moods and feelings: we can understand and
learn about feelings and moods that we experience when we see them in poetry.
Ex. Langston Hughes- Merry-Go-Round
Animals: Animals have always held special
place in the hearts of children.
Ex. Aileen Fisher-The Furry Ones
Witches and Ghosts:
Ex. Eve Merriam- Halloween ABC
Involving Children in poetry
Listening to poetry- Poetry is meant to be
read and reread. Make it special. Do these before reading :
1.
Read it aloud to yourself before reading to
the audience
2.
Read the poem at a pace that comes natural to
you: fast vs slow
3.
Learn where to make pauses
4.
Read it like you’re interested
Moving to poetry- Children may want to move
around while you read
Dramatizing Poetry-Narrative poetry is great
for having a dramatic play
Developing Choral Speaking- Choral speaking is
two or more voices together.
Refrain arrangement- when one person reads the
body of the poem and in the refrain everyone chants
Line arrangement- when one child or group
reads one line and another person or group reads the next
Antiphonal or dialogue arrangement- This uses
different voices for different parts. Groups or individuals
Cumulative arrangement- add a group to each
line of the poem until all groups are reading together
Unison arrangement- the group reads
together
Being able to introduce children or young adults to poetry is important. They may have a misconception about poetry. Being familiar with poetry and the different types can help me find poem collections or authors that can change a student's mind about poetry. I also will need to help my teachers with finding resources they may need when teaching poetry in the classroom.
Chapter 10
Historical Fiction
-Younger students define history as something
that happened yesterday.
-Older students might define historical event
as something that took place when they were younger.
-Adults define a historical event as something
that took place before they were born.
-Keep in mind that historical events are subjective,
when labeling books or placing them in a genre.
-Reading historical fiction allows readers the
opportunity to vicariously experience what it might have been line to live in a
previous time and place.
Criteria for Evaluating Historical Fiction for
Children
1.
Does the book tell a good story that
effortlessly blends the history in the story itself?
2.
Are the facts of the historical period
accurate?
3.
How are the values of the time brought to
life? (different than today)
4.
Is everything consistent with the social milieu?
(clothing, architecture, music)
5. Does the theme of the story relate to contemporary readers? (universal)
I will need to know about historical fiction when labeling books or placing them in a genre. If my teacher's need something specific for a lesson they are teaching I need to find what they area asking for. If a students has to do a book report I can help them find something that will interest them.
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